In 1985, 39-year-old Stephen King announced in public that his pseudonymous alter ego,
Richard Bachman, was dead. (Never mind that he revived him years later to write The Regulators.) At the beginning of
The Dark Half
(1989), 39-year-old writer Thad Beaumont announces in public that his
own pseudonym, George Stark, is dead. Now, King didn't want to jettison
the Bachman novel, titled Machine Dreams, that was he working on. So he
incorporated it in The Dark Half as the crime oeuvre of George Stark,
whose recurring hero/alter ego is an evil character named Alexis
Machine.
Thad Beaumont's pseudonym is not so docile as Stephen
King's, though, and George Stark bursts forth into reality. At that
point, two stories kick into gear: a mystery-detective story about the
crime spree of George Stark (or is it Alexis Machine?) and a horror
story about Beaumont's struggle to catch up with his doppelganger and
kill him dead.
This is not the first time that Stephen King has
written a dark allegory about the fiction writer's situation. As the
New York Times writes, "Misery (1987) is a parable in chiller form of
the popular writer's relation to his audience, which holds him prisoner
and dictates what he writes, on pain of death. The Dark Half is a
parable in chiller form of the popular writer's relation to his
creative genius, the vampire within him, the part of him that only
awakes to raise Cain when he writes, the fratricidal twin who occupies
'the womblike dungeon' of his imagination."